POST YOUR MOVIE REVIEW ON THIS WEBSITETE
X-CURSION'S GUIDELINES FOR POSTING YOUR MOVIE REVIEW
Read some of the reviews ALREADY posted at www.bradleyphoenix.com/moviereviews.html
(These posted reviews from movie-goers like you can give you
an idea of how to compose your review).
Review any movie (DVD, VHS in theatres) past or present
rated G through R.
The length of your movie review can be as short as a paragraph
or as long as a page.
The movie review should be your own opinion(s), and NOT a collaboration with
someone else.
No movie review will be posted with foul language.
You have the option to grade the movie with stars (4 stars
= excellent, 3 stars = very good,
2 stars = average, 1 star = poor or mediocre, and no stars
= not worth seeing).
You have the option to give the movie a letter grade: A+,
A, A-, B+, B-, C+, C, C-, D, F.
OR, you don't have to use any rating system.
You have the option, in your movie review, to criticize
or agree with a movie critic or critics
on their movie review. Movie critics are human; they make mistakes.
Was the movie too long? Too short? Good acting? Bad
acting? Did it have a satisfactory ending?
Did the score help the story? Too many special effects and the
story was weak?
Provide your first name and last name (or initial of your last
name, for example: Bradley P.) along with your
movie review and the city, state, or country you reside in.
We'd liked to hear from our friends in other countries.
Providing your age and occupation is optional (you can IF you want to).
You can provide your e-mail, IF you wish to discuss your review with those who read it; that's optional.
When your review is finalized, please e-mail it to : reviews [@] bradleyphoenix.com
Anyone in the world who goes on the internet will be able to read YOUR movie review.
Invite your family, classmates, and friends to check out YOUR posted movie review. J
Movie reviews posted on this website are the opinions of each individual author
and do not necessarily reflect
the views of X-Cursion Media.
MINI-Review of
"The Man Who Came to Dinner"
(Act Out Theatre production)
by Bradley
Thunderbird Phoenix
Friday, February 10, 2006, 8 pm at 37 West Main Street, the Boulton Center,
Bay Shore, Long Island, NY and
the Act Out Theatre School Teen
Theatre presented: "The Man Who Came To Dinner". Several schools were
represented:
Bay Shore High
School, St. John the Baptist High School, Islip High School, West Islip
High School,
Brentwood's Freshman Center,
Udall Middle School, and
St. Mary's School.
If there was an empty seat
in the Boulton Center that night, I didn't
know about it.
I was so captivated by the story, that
I was
surprised that my watch read 11 pm when I
departed the Boulton Center.
Hats off to the entire cast. Kyle Savage
as Dr. Bradley seem to have a carefree
Marx-Bros. quality to his performance,
which I enjoyed. A special salute to Christopher Tudisco
(Sheridan
Whiteside), Morgan Matthews (Lorraine Sheldon), and
Ian Harvey (Professor Metz & Banjo).
My theatre instincts tell me that Ian Harvey
has a brilliant theatre career ahead
of him). Fine job by
the crew as well. The
credits for the cast & crew are listed
below.
DVDs of this production may still be available. For
further information concerning this DVD, please contact
the Boulton Center
for the Performing Arts at:
www.boultoncenter.org
There was a scene in this
production that was especially interesting to
me and
that was when the characters were in front
of microphones
to "broadcast live" over the radio: audio theater.
With the formation of * HAT (High-School Audio Theatre),
I hope to introduce teenagers as
well as adults to the art form of
contemporary
audio theater (formerly called radio theater)
via workshops at
the following venues: The Bay Shore - Brightwaters Public Library through
Linda Clark,
Children's Librarian),
Adult Education with Eastern BOCES (authorized by
Dr. Robert Doctor), Bay Shore's
YMCA, and
BACCA (Babylon Citizen
Council on the Arts (Babylon Arts Council), Ray Zaccaro,
Executive Director).
Kudos to Robin Harvey, the Production Stage
manager. Congrats to Tiana Christoforidis, the
Director of the
production, who
studied in New York City
at the Lee Strasberg Theatre Institute, Circle in the Square, and HB
Studios.
Mrs. Christoforidis
founded the
Act Out Theatre program at the Great South Bay YMCA
nearly twelve years ago.
-- Bradley Thunderbird Phoenix
Founder, X-Cursion Media & Montage Radio Theatre
www.bradleyphoenix.com
CAST & CREW - "The Man Who Came to Dinner"
Mrs. Stanley...............................Ms.
Ashleigh Dehlow
Miss Preen..................................Ms. Missy Adams
Richard Stanley...........................Mr. Corey Matthews
June Stanley................................Ms. Marisa Dalpiaz
John...........................................Mr. Stephan Garamy
Sarah..........................................Ms. Alana Doran
Mrs. Dexter.................................Ms. Angela Spera
Mrs. McCutcheon........................Ms. Kristin Manna
Mr. Stanley.................................Mr. Darren Cunningham
Maggie Cutler..............................Ms. Jillian Gorry
Dr. Bradley.................................Mr. Kyle Savage
Sheridan Whiteside......................Mr. Christopher Tudisco
Harriet Stanley............................Ms. Jacqueline Hansen
Bert Jefferson.............................Mr. Patrick Crociata
Professor Metz...........................Mr. Ian Harvey
Convict Michaelson.....................Ms. Samantha Albanese
Convict Henderson......................Ms. Victoria Walsh
Mr. Baker...................................Mr. Jimmy Affatigato
Expressman.................................Mr. Jimmy Affatigato
Lorraine Sheldon.........................Ms. Morgan Matthews
Sandy.........................................Mr. Morgan Eschmann
Beverly Carlton...........................Mr. Robert Poole
Westcott.....................................Ms. Samantha Albanese
Radio Techies.............................Mr. Jimmy Affatigato & Ms Victoria
Walsh
Banjo.........................................Mr. Ian Harvey
Deputies.....................................Mr. Jimmy Affatigato, Mr.
John Borromeo, & Mr. Morgan Eschmann
Plainclothes Man.........................Mr. Jimmy Affatigato
General understudy.....................Ms. Kira Christoforidis
Director......................................Tiana Christoforidis
Production Stage Manager............Robin Harvey
Lights.........................................Marc Christoforidis
Sound.........................................Scott Berry
Backstage....................................Rose Dehlow
Costumes....................................Act Out Theatre Costume Shoppe
Ushers........................................Lauren Kulbit &
Samantha Monteleone
Video / DVD..............................."Personal Video"
----------------------------------------------------------------------------------------------------------------------
* HAT (High-school
Audio Theatre) will introduce high school
students to the following:
The art / medium of contemporary AUDIO theater
How to write audio play scripts
Voice acting which will help them with oral reports and public
speaking
The importance of sound effects in audio (radio)
theater and the role of a "sound-effects
artist" or foley artist
Related careers of audio theater such as doing voices for
animated characters for movies, commercials, etc.
Performing audio theater on STAGE at the Babylon Town Annex and other
venues
Productions for audio CDs for audio plays to air on radio stations
AND the internet
Performing ORIGINAL scripts of various genres:
Twilight Zone-type plays, suspense, sci-fi, comedy, satire, horror, and DRAMA
Audio theater can be performed on
four venues:
1. On STAGE - the actors
stand in front of microphones and perform
(performances can be videotaped and shown on television or made into DVDs).
2. In recording studios (in order to commit the
performance(s) to audio CDs, audio cassettes, or
IPODS.
3. Live over the internet via web-casting.
4. Live over the radio airwaves (commercial,
public, college, or high school radio stations).
Audio theater is one of the most inexpensive forms
of theater.
Memorization of scripts is NOT required because you act while READING the
script.
Audio theater is related to audio books and dramatic readings, but microphones
are required.
Elaborate costumes and sets are NOT required in audio theater.
Blocking is NOT required.
X-Cursion Media has original
scripts to lease (schools, churches, colleges, businesses,
etc.):
www.bradleyphoenix.com/lease.html
How many original scripts has Bradley Thunderbird Phoenix written? SEE www.bradleyphoenix.com/playlist.html
===========================================================================================================================

For the first time, since 1977, I've experienced the entire film: "Billy Jack
Goes to Washington" starring Tom Laughlin as Billy Jack and Dolores Taylor as
Jean Roberts. Some of the actors from the original "Billy Jack" movie and the
"The Trial of Billy Jack" were also in this movie. I saw prominent actors such
as Pat O'Brien (from many John Ford movies), E.G. Marshall, and Sam Wanamaker.
There's Dick Gautier, who has acted in many movies and television
programs ("Get Smart" being one of them). You'll recognize a lot of
actors in this movie from television programs from the 1980's and 90's.
Jack Webb's daughter and Walter Cronkite's daughter are back. I had seen
"Billy Jack" as a sophomore in high school and fell in love with its pro-Native
sentiment, Freedom School (I wish I attended that kinda school!), and the anti-government-corruption
message. I was fascinated by the martial arts of Billy Jack because martial
arts movies were not prominent in those days (we're talk'n early 1970's). We
had Bruce Lee in the "Green Hornet" and the "Longstreet" television series, and
not much else on the small screen or the silver screen.
The early 1970's was a spill-over from the late 1960's. I remember those radical
years. The hippie years. Flower children. Free love. Love-ins. Right-on!
Long hair. Large afros (I had one). Paisley shirts. Bellbottoms. Wide
belts. The Brady Bunch. President Nixon. J. Edgar Hoover. COINTELPRO.
Revolution rhetoric. The Cold War. The Vietnam War. Counterculture. Conservatives.
Radicals. Militants. Mainstream media lies. Anti-war protestors. Civil Rights
struggles. National Guard vs. College Students. The Firesign Theatre. Soul
music. James Brown. Motown. The Supremes. The Temptations. The Jackson 5.
Rock-n-Roll. The Doors. Emerson, Lake, and Palmer. Pot-smokers. Draft dodgers.
Vietnam. Those were troubled times and colorful times, and then came Billy Jack,
a fictional movie hero.
I have all the Billy Jack DVDs except for the first Billy Jack film: "Born Losers".
A lot of my generation saw "Billy Jack". I think a lot of high school and college
students were moved by the 2nd Billy Jack movie ("Billy Jack"). Amy Goodman of
Democracy Now! and I graduated from Bay Shore High School, Long Island, NY; she graduated two years after me.
Maybe Amy saw the Billy Jack films (especially "The Trial of Billy Jack")
and it inspired her to get involved with journalism and independent media,
but that's pure speculation on my part (it's interesting that both of us wound
up in radio and public access television). I didn't desire to get involved with journalism, but to make movies that would touch lives above
and beyond the noisy formulaic special effects-drenched Hollywood movies. The
Laughlins definitely had an influence on me, but especially Stanley Kubrick., my
favorite motion picture director. Then
came "The Trial of Billy Jack". Billy Jack is released from prison. It's preachy.
A little too long. But that's OK because the story was intensely interesting
to me. College students were "executed" on college campuses by government-backed
forces. The movie showed the power of television stations and independent media not controlled
by the government or major corporations. Agent provocateurs. Native mysticism.
But we loved to see many of the characters back in this sequel. In this movie,
we were able to see the man who trained Tom Laughlin in martial arts,
Bong Soo Han (1931 -
2007). We saw
Jean, a pacifist--you don't hear that word much anymore--studying martial arts!
Jean could even throw Billy Jack to the mat. During the commentary on the DVD
for "The Trial of Billy Jack", Tom Laughlin said if he had done it today, he would
have shortened the movie.
Sometime in the mid-1970's, I read somewhere that there was going to be another
Billy Jack sequel, and I was thrilled! Thrilled as if another James Bond
movie was about to come out. I found out the title of the movie: "Billy Jack
Goes to Washington". I waited...and waited...and waited...wondering if I
had missed it. I didn't miss it. It was never theatrically released! Twenty-seven
years later in October 2004, I finally saw "Billy Jack Goes to Washington".
Not in a movie theater, but ON DVD. With commentary from Tom Laughlin and Dolores
Taylor, the producer-stars of this movie (that made it even more worthwhile).
It wasn't released in movie theatres back in 1977, but all the Laughlin's other
movies were released including,"The Master Gunfighter". Ahhh, but "The Master
Gunfighter" wasn't a political movie; it was an action western movie and a pretty
good one. Also in 1977, you had these big movies: "Star Wars", "A
Bridge Too Far", "Oh God", "The Spy Who Loved Me", "Saturday Night
Fever", "King Kong", "Close Encounters of the Third Kind", "Eraserhead",
"A Star is Born", and "Smokey and the Bandit". Both the Star Wars movie series and James Bond
movie series eclipsed the Billy Jack movie series. My generation had new
movie series to focus on. In 1977, the momentum of the Billy Jack phenomenon was
grinding to a halt for my generation.
Perhaps in their 30th year anniversary of "Billy Jack Goes to Washington" the
Laughlins will talk about what happened to some of the actors that were in their
past movies and maybe even let them have a commentary track or interview them
in a documentary. Tom Laughlin and Dolores Taylor had there daughter in all three
Billy Jack movies and she was definitely a plus. Teresa Laughlin is a talented
person that should have had a successful career as an actress. Instead, she
is a successful fashion designer in NYC. There's no reason why she couldn't do
both: be a fashion designer and act in films from time-to-time. She could have
become a costume designer in the Entertainment Industry. And what of Frank Laughlin,
the son of Dolores Taylor and Tom Laughlin? What happened to him? Where are
all the people who made the Billy Jack movies today?
"Billy Jack Goes to Washington" opens. There's narration over the eagle-eye
shots of the institutions and monuments of Washington, DC: The Washington Monument,
the Capitol, the Lincoln Memorial, the Jefferson Memorial, etc. Who's voice is
that in the opening narration? Is that Pat O'Brien? It sure sounds like'em.
I figured the movie would open with Jean's voice, but it didn't. I enjoyed the
role Pat O'Brien played in "Billy Jack Goes to Washington". What a
coup for the Laughlins who secured this wonderful veteran actor along with E.G.
Marshall. The entire cast was good. Keep in mind that I had no idea some
big stars were in this movie; it was all a pleasant surprise for me as the film
unfolded.
Lucie Arnaz, the daughter of Lucille Ball and Desi Arnaz, made her acting debut
in "Billy Jack Goes to Washington". Ms. Arnaz did a fine job. This movie exposes
government corruption. It's not pornographic. No bedroom scenes. No one takes
off their clothes. Foul language in this movie is practically non-existent, in
contrast to many of the movies of today, and THIS MOVIE WAS NEVER RELEASED??? Why
not? Who is stopping this movie from being released? What are
the practical steps to get "Billy Jack Goes to Washington" released in movie theaters
around this country and the world? Who do we write? The Motion Picture Academy of Arts and Sciences? Our congressional representatives?
Hollywood has released some of the bloodiest and goriest movies, such as: "The
Texas Chainsaw Massacre" and "The Exorcist" (didn't the demon possessed girl
use a cross in a sexual way?). Some years back, there was a movie about
a man dressed up as Santa Claus hacking up people...AND THEY CAN'T RELEASE "BILLY
JACK GOES TO WASHINGTON" because it raises consciousness of political malfeasance?
Once again, Tom Laughlin and Dolores Taylor had the wisdom and courage to bring
another movie about social injustices to the screen, always balancing
out their films with humor, action, and an almost documentary feel. There's plenty
of political material for the Laughlins today: The Oil Pigs which can never
get
enough petroleum. The war profiteers who rake in billions of dollars from manufacturing
weapons of mass destruction and the spoils from invading militarily weak countries.
In "Billy Jack Goes to Washington", politically corrupt Senators rake in millions
of dollars off the construction of nuclear power plants. Just like
some politicians are profiting off the construction of a natural gas and oil pelines
in the Middle East today. In order to rob and control foreign countries: first
they demonize'em (through the mass media), then they invasion-nize'em (invade
weak countries (notice they haven't invaded China), and then they democratize'em;
they force fit'em into a mold of their concept of democracy. I was gonna say they "Christian-nize'em", but
that's almost synonymous with their "democratize'em" process. Of course
the rules of democracy and international laws never apply to THEM because that
would cut into their profits. "Them" refers to the plutocratic money vampires,
the guys who tell the political gargoyles how to think, what to do, and how
to chew their food. The political gargoyles are the lying politicians who
cling to the un-holy Temple of Corporate Greed. Construction contracts to
rebuild Iraq's cities and maintain Iraq's oil fields costs the American taxpayers
billions of dollars. Whenever billions of dollars can potentially pour into
the construction industry trough, the corporate money hogs can't wait to feed.
Ask The "Argyle Group", "Uno-pal", and "Helliburton" (I changed the names to
protect the guilty). "Pigs get fat. Hogs get slaughtered." This was
one of the lines from "Billy Jack Goes to Washington". I like that line
a lot, but you need to watch the DVD to see how it fits into the story.
Politics makes strange bedfellows and enemies. The Laughlins and their crew
were harassed by certain elements of the government during the filming of
"Billy Jack Goes to Washington". Some of the corrupt political guardian angels
didn't want this film released. I was impressed with "Billy Jack Goes to
Washington". You get to see Jean defend her life using martial arts. You get
an idea how backroom political deals are made. You see a fine performance
from E.G. Marshall. No dubiety in my mind that Mr. Marshall would have
received an Academy Award nomination for Best Supporting Actor for this
role. Sam Wanamaker created a despicable serpentine villain, far more menacing
than the Posners in past Billy Jack films. But you see a powerful performance from Tom Laughlin.
I had anger after seeing "Billy Jack Goes to Washington". Not because the film
was inept in any way, but because there's no reason why this film was not released
in theaters. Tom Laughlin commented that after a private screening, a member
of Congress yelled at him and told him that this movie would NOT be released.
"Billy Jack Goes to Washington" was the "Fahrenheit 9-11" of its day. Not in
the sense that it's a documentary like Michael Moore's films,
because it isn't. It's a fictional story that exposes political corruption.
In 1979, "The China Syndrome", starring Jack Lemmon and Jane Fonda, also
exposed political corruption and greed regarding nuclear power plants. There's
one thing those who are politically corrupt try to avoid with agonized
desperation: The Spotlight of Truth.
When "Billy Jack Goes to Washington" was NOT released in 1977, it seemed the
Billy Jack movie series had died. The 1980's came. During that decade,
I read somewhere
to my amazement that "Billy Jack in New York" couldn't be completed because money
for this movie ran out. And then...the Laughlins disappeared! New martial
arts heroes came on the scene: Jean-Claude Van Dam, Stephen Segal, Chuck Norris,
and others. Bruce Lee look-a-likes.
Bruce Lee wannabees
If we have movies like "The Panama Deception", "Outfoxed", "Bowling for Columbine",
"Loose Change", "Fahrenheit 9-11"--these are movies you should see--we can certainly welcome Billy Jack, the next generation of films. Have the Laughlins
considered audio theatre? Audio theatre is the fraternal twin of audio books. There's no visual components in audio theatre, just the human voice, sound effects,
and music. Why not? Tom Laughlin and Dolores Taylor may be a little older, but they sound the same as they did when the Billy Jack movies came out
in the early 1970's. I see actors Bob Hastings and Will Hutchins perform
at the Friends of the Old-Time Radio Convention in Newark, New Jersey every
year ( http://www.lofcom.com/nostalgia/fotr/ ). These actors sound the same, just like when I was a kid back in the
1960's watching Mr. Hastings on "McHale's Navy" and actor Will Hutchins on
"Sugarfoot"
(SEE www.bradleyphoenix.com/photogallery.html to see photos of me and Mr. Hastings and Mr. Hutchins ).
So, what happened to the Laughlins? Their website said they were busy lecturing
and teaching. Maybe out in California or the West, but I haven't heard the
Laughlins lecturing in New York City? Their major voice seems to be their website.
I saw a documentary on Tom Laughlin a few years ago. The last I heard about
Tom Laughlin was that he ran for President of the United States in 1992. He did
what?! Ronald Regan was a Hollywood-actor-turned politician, who became a
U.S. President Fred Dalton Thompson was a politician and actor; he became a Republican U.S.
Senator. So did whats-his-face: Arnold Swartzenegger, who became Governor of
California (you have to say Arnie's last name very carefully around us black
folks :) ) I think Tom Laughlin could have become an effective progressive
Congressman IF he had only kept making more movies...any genre. So, what of the
fate of the Billy Jack character? Who could play Billy Jack today? Tommy Lee
Jones? Richard Gere? Steven Segal? What about a Billy Jack television series with
the Laughlins as executive producers? Can you hear the new Billy Jack throw out
a line like this to George W. Bush, Cheney, Rumsfeld, Wolfiwitz, and Ashcroft,"Why
the hell would I want to go to a heaven with you in it?" Why haven't
the Laughlins made movies inside Hollywood?
Wait, there's breaking news! As I write this article, the Laughlins are saying
that they are coming out with a NEW Billy Jack film that will tie up a lot of
loose ends such as: Did Billy Jack and Jean ever get married? What happened to
some of the characters in the Billy Jack films? And much much more! This was
a complete surprise to me! I thought we would never see another Billy Jack
movie. So, I'm looking forward to seeing their new film. I think
the first one
is supposed to be released Memorial Day 2007. I hope that the Laughlins get all the artistic and financial support they need. If I can help in anyway to
raise awareness of their latest film project...I'm there! I've been e-mailing
progressive organizations and individuals to tell them about the Laughlins new
upcoming movie AND their End The War in Iraq Project. It seems Billy Jack is back!
It's all at the Laughlin's website: www.billyjack.com
May the Almighty Creator bless Dolores Taylor, Tom Laughlin, and the Laughlin family.
-- B. Phoenix
Billy Jack Enterprises
P.O. Box 840
Moorpark, CA 93020
Phone: (877) 253-4567 US toll free, Canada: (805) 553-9015
Fax: (877) 491-2802
info@billyjack.com
Bob Hastings, actor of stage, television, and film and Bradley Thunderbird
Phoenix - 2002
at the annual Friends of the Old-Time Radio Convention
(FOTR) in Newark, New Jersey, held every October.
======================================================================================================
Matrix Revolutions
2003
Directed by the Wachowski Brothers
Starring: Keanu Reeves, Carrie-Anne Moss, and Laurence Fishburne
Reviewed by WENDELL V. of Bay Shore, Long Island, NY - 6/4/2004
The Matrix Revolutions is the final chapter of the Matrix trilogy. The concept of the movie is bold
and captivating. It brings the saga to a rousing conclusion. As most of you know
or will know, Revolutions picks up at the precise point where Reloaded finished.
Neo (Keanu Reeves) is trapped in of time line between the real world and the Matrix, unable to
escape.
As far as the plot is concerned, the action scenes in Revolutions are just as
good as the other two. I must admit that the brief action in Reloaded was awesome,
and there's much more in Revolutions. The final battle between man and machines
was breathtaking, one of the highlights for the whole trilogy. The final battle
between Neo and Agent Smith (Hugo Weaving) is also nicely done. However, they are some exaggerated moments in the fight
scenes; when they start fighting miles up in the air like Superman. Agent Smith's
role in the trilogy never really developed though, he was awesome in Matrix 1,
but in the last two he was just there to fight Neo and play the bad guy. Trinity
(Carrie-Anne Moss) on the other hand, was an agile and powerful fighter in Matrix 1. Now she hardly
does anything except be a liability to Neo. Trinity is just there to complete
the love story I guess. Morpheus (Laurence Fishburne) is shadowed after an amazing performance in the Matrix 1. Like Trinity, he
never really does to much as the film mostly focuses on Neo and Agent Smith.
The beginning and the ending of the final chapter were complicated for me. I
first saw Neo trapped between worlds in a train station run by an aggressive mad
man with no teeth (not quite the start I was expecting). It became even more complicated
when an Asian family talked to Neo and a little girl befriended him. I really
didn't get that scene and it was poor. Even more bizarre was the nice cushy Hollywood
style ending. The Oracle was sitting down with the little girl from the beginning
scene (I wonder why?) and she paints a nice vanilla sky over the city. While the
Oracle says "I'm not sure Neo will like it. Kinda weird isn't it?
I know everyone (including myself) that saw Matrix Revolutions was expecting
a perfect finish to the Matrix Trilogy. It's not absolutely conclusive. I believe
the Wachowski Brothers could have done a better job wrapping things up, but it
does leave the door open for future productions.

2003
Directed by Peter Weir
Starring Russell Crowe, Paul Bettany
Reviewed by Lynn M. Islip Terrace, NY
Master & Commander, an exceptional movie and a must-see. The person who views this movie will either
love it or despise it. It's difficult not to be captivated by the thrilling fight
scenes, as well as taken into this different time period (during the Napoleonic
Wars). Russell Crowe didn't just play the role of Captain Aubrey, but was Captain Aubrey. If you loved Crowe in Gladiator, you will find he is perfectly cast for this part. His character is almost sickly
obsessed with conquering a French ship, in which he risks his own life as well
as his crew. Although a bit odd and eccentric, Crowe's character is very likable
and absorbs the viewer under his command.
During the movie, aside from the battles between Captain Aubrey's ship and the
French ship, there is major crew interaction. I was able to get a feel for each
character but the main emphasis was placed on Doctor Maturin, played by Paul Bettany. The friendship between him and Captain Aubrey seemed somewhat out of place
in this movie yet at the same time, appropriate. (Russell Crowe and Paul Bettany
also acted together in A Beautiful Mind).
Aside from the dialog being sometimes difficult to understand, this movie is
superb. It showcases bravery, friendship, and loyalty. The exciting battle scenes
and the threatening weather conditions are amazing and very realistic. In my opinion,
the movie is near flawless and captured my interest from beginning to end.
----------------------------------------------------------------------------------------------------------------------------------------------------------------
"I'm the African American - Native
version of Rod Serling for audio movies
(audio drama, science fiction, and fantasy)
with original scripts that can
be produced for movies on the radio,
television, and motion picture industry."
-- Bradley Thunderbird Phoenix
Some of my COPYRIGHTED scripts
/ plays:
The Gods in the Pentagon (Dr. Strange-body): Dr.
Strangelove-type military black comedy (performed live over WUSB
radio station (2002)
Thinning the Herd: Red-neck hunters
fight against the ghosts in a forest and their co-conspirators
(performed ive over WUSB-90.1 FM (2001).
Don't Take It Out on Me!: New Age tale of supernatural horror
as certain objects grow arms and feet and come to life (performed live over WUSB
(2001).
Remember Me?: Professor Memory can remember
anything...except his own.... (performed this as a radio play
live over WUSB (2000).
When Dimensions Collide: Sci-fi....parallel universes
(performed as a radio play on stage at the Student Union
Auditorium, Stony Brook Univ. (1996).
I Wanna Live Too!: A deadly alien that can absorb and imitate any
physical lifeform (performed as a radio play on stage at Stony Brook
University (1997).
* Skeleton Crews: Super-intellectual mammals
invade a space station (Did NOT perform this live over the radio as
intended (2001 - 55 minutes).
Original
scripts that can be made into motions
pictures OR television shows or
miniseries GO
TO:
www.bradleyphoenix.com/playlist.html
The Bradster's movie reviews
- Movie reviews by Bradley Thunderbird Phoenix - www.bradleyphoenix.com/moviereviews.html
Inside Man: Spike Lee is continuing to grow as a
director. Engrossing story. Faked me out a few
times.
I didn't think it would end up the way it did. Good heist movie
for that genre. Ocean's 11
the remake with George Clooney remains one of my favorite heist movies to
date. ***
Doom: Dumb horror movie starring THE ROCK.
The story wasn't strong enough. Special effects doth not
a movie
make...Shakespeare would probably word it like that if he were alive today.
I lump the Cave
and
Doom in the same category. I always have a soft spot for outer
space movies, but the Cave was
a
better story and better acted. Karl Urban was the
only worthwhile factor in the entire movie. * 1/2
Slither: Had great potential.
Deliberately made in the same vain as the horror flicks of the 1970's.
It was billed as a comedy-horror. Some scenes were good.
Some of the townspeople becoming
zombies is too much of a rip off of "Night of the Living
Dead" (which quite a few directors are
paying homage to nowadays). **
War of the Worlds (remake): Shhh-piel-berg-ized remake with Tom Cruise.
This story wasn't as strong as the version with
Gene Barry, who was in
this movie. Heavy on the special effects. Story could have been stronger.
The Barry version had more
emphasis on the military trying to figure out a way to destroy the Martians.
Such as the scene when they
dropped an atomic bomb on the Martians is great filmmaking! In the Barry
version, you had Gene Barry's
character hugging the leading lady in the church during the final scenes of
the movie, and then the
aliens die. It's a powerful moment that most Spielberg movies lack (with
the
exception of Schindler's List (a powerful 4-star movie and triumph of filmmaking). Most Spielberg
movies have good effects
and decent cinematography, but weak stories. A.I. didn't move me
emotionally, but Robin Williams
in "Bicentennial Man" did. 1941 was a comedic mess. E.T.
was cute sentimental oatmeal.
During the first 10 minutes, I knew where the story (This "War of
Worlds" re-make) was going.
Tom Cruise is legally separated from his wife. The children are
split between their biological
father and their step dad. But magically at the end of the movie, they
have all bonded due to the
alien invasion crisis and all will live happily ever after. At one point in
the
movie, Tom Cruises's character
lets his son go because there's something he has to do; his son is
becoming a man! What is
his son going to do that trained men and women in the U.S. military
can't do? The boy has no
training. No combat experience. No weapons experience, unless you
want to count PlayStation
and other video games. And his father, Tom Cruise, makes the BIG
BIG decision to LET
HIM GO SO HE CAN BECOME A MAN. Stupid nonsense!
The aliens implanting their
warship under the ground was a dumb idea. If you have force fields
around your war machines
then why bury them deep underground? Just show up and start attacking.
Tim Robbins's character in
the movie didn't really do much for the movie; it wasn't even necessary.
Although the aliens playing
hide and seek with the main characters in the basement was interesting.
The aliens captured some
family members inside one of their spaceships was the most interesting scene
in the
entire movie. But for my
money, "Independence Day" is a better movie than Spielberg's "War of the
Worlds".
"Independence Day" had enough
corny moments in it, but it was more emotionally satisfying and better
made than Spielberg's "War
of the Worlds". The 1950's version of War of the Worlds with Gene Barry
remains the best version
to date. Brad's movie rating: ** (two stars)
The Fantastic Four: I'm so tired of these movies saturated with special
effects with weak stories. They're eye candy and no-brainers.
When will these Hollywood producers ever
learn that the real special effects are: HUMAN EMOTIONS.
To be able to cry, laugh, express joy,
sorrow, anger, pity, curiosity...the whole spectrum of emotions, that's the
best
special effects of them all. They need
a movie where they tell us how the super hero got their powers in a quick
flashback, and then move on with the story
and the growth of the super-hero character.
Allow me to digress a little please: I noticed
in the DC comic books (yeah, I love graphic novels), that there's an African
American
man as the new Green Lantern. That would
make a good TV movie. Learning from the old Green Lantern: Hal Jordan,
an aging white man. A troubled black man
who came up from poverty. The Guardians, understanding his troubled
background born from a restless sea of racism
and white supremacy. I can write the screenplay right now! But not
dwelling on HOW he became the new Green Lantern,
just tell that in flashback. Then have the Guardians give the new
Green Lantern a mission on another.... Hey,
I don't want to write the screenplay now! One of the mistakes about
these movies dwelling on how the super-heroes
became super is they don't include OTHER super heroes. Note in the
Superman movie with Christopher Reeve...no
Justice League. In the X-Men movies with Patrick Stewart...no Fantastic
Four, Dr. Strange, and other Marvel super heroes.
Same in the Michael Keaton Batman movie. They focus all their
attention on one or a small group of super
heroes instead of connecting them to a network of super heroes--BIG MISTAKE.
Hollywood is so doggone busy trying to tell
us about the origin of how this person became a superhero. The real human
story
is: how do they feel about their powers?
About themselves? About the world? The animation movie,"The Incredibles"
is about how I would approach the subject.
"The Incredibles" is a much better movie than "The Fantastic Four".
The rating for the Fantastic Four movie: Brad's
movie ratings: ** [August 23, 2005]
* I have an idea for a TV movie
that would be just as interesting as "The Incredibles". I also have
an idea for a television series entitled,"Jump
Dogs". SEE www.bradleyphoenix.com/playlist.hmtl
Batman Begins: Christian Bale is the new Batman! "Batman Begins" is
the best Batman movie to date. I liked Michael Keaton, but
this story fleshed out the Batman/Bruce Wayne character.
It was intelligently made. It had some flaws.
Lifting a man up with one arm when that person is
dead weight is ludicrous. Try lifting a man who is heavier than
you with one arm hanging off a cliff with hundreds
of feet between him and the ground--dead weight. You would
have to be crazier than a New York City rat.
And why did the entire Wayne mansion have to be burned to the
ground? That was unnecessary. In this story
you understand why he becomes Batman. You understand where
the Batmobile comes from. The discovery of the
Batcave is engrossing. Except for a few "Hollywood-isms"
this is the best Batman movie so far. Brad's
movie ratings: *** 1/2
Equilibrium: Starring Christian Bale, now the new Batman. This movie is pure
excitement and intelligently directed by Kurt Wimmer
(screenwriter-turned-director) I believe Kurt Wimmer
will come out with some really great films in the years to come.
I highly recommend this movie. Get it on DVD!
The plot, acting, and fight scenes are well done. This is a
a story set in super-tech future. Brad's
movie ratings: *** 1/2
The Island: Loved the actors. Reminded me of some other movies:
THX 1138, 1984, and Logan's Run. The cinematography was
very good in some spots. I didn't buy two people
running for a long time through the hot desert...clones or no clones. And I
didn't buy the clones trying to find the persons
they were cloned after. What's the point? The purpose of the
of their (clones) existence was to supply body parts.
Rather, the story should have been to expose the cloning genetic
farms, and not having the clones trying to find their
genetic "parents". Brad's movie ratings: **
Network: I love Paddy Chayefsky's movies: "Marty", "Hospital", "Network",
and "Altered States". When Chayefsky writes a
screenplay, there's a lot of life experiences, research,
and talent that goes into them! What a writer! Awesome! I'm guessing
that Tom Laughlin and Dolores Taylor enjoyed "Network".
I read somewhere that Stanley Kubrick was considered to
direct this movie. What I suspect happened was a "clash
of the titans". It would have been fascinating if Kubrick directed
this movie, but ultimately the directing went to Sidney
Lumet (who directed "Serpico" and so many great films). The dialogue
is brilliant. The story is ingenious. "Network" is
"Hospital" for the television network industry; it speaks of the dirty
politics
and power-tripping self-deified network executives who
worship money and high TV ratings. I noticed that some movie critics
have described many of Chayefsky's movies as "literate",
indeed they are. Brad's movie rating: ****
One-Eyed Jacks: Starring the late great Marlon Brando and directed
by him. Stanley Kubrick was slated as the director, but he and Marlon
had an artistic falling out on how to approach
the movie, so Brando directed this movie. The cinematography is
very good. There's high energy in this western.
One of the best westerns ever made. I thought if they ever do a
remake of this film I would write the screenplay
so that Kevin Spacey played the Karl Malden character and
B-- XXXX played the Marlon Brando character.
I'm not sure who would be good for the Slim Pickens character...maybe
Randy Quaid, or Bill Paxton. I believe
the phrase "one-eyed Jack" refers to seeing only one side of a person according
to this
movie. It seems a movie title like
this cries out for some card-playing scenes or more tie-ins with poker.
This was a powerful western, but there's
a higher place in my heart for "Rio Lobo". I would write the screenplay
a little differently: I'd add some Chinese
characters and a black gunfighter. I wonder if "One-Eyed Jacks" is
a title
Kubrick wanted, after all Kubrick came out
with the title: "Full Metal Jacket". Brad's movie rating:
*** 1/2
Once Upon a Time in America: Almost as good as the Godfather Part I and II.
Robert DeNiro gives a wonderful performance in this
story of Jewish gangsters
in New York City. This is a powerful movie by the legendary Sergio Leone.
The music, composed by Ennio
Morricone should have gotten an Academy Award! This is a
classic movie. Leone takes
his time with his movies. Notice that most of his movies are like 3 hours long.
But see them: "A Fistful
of Dollars", "Once Upon a Time in the West", "The Good, the Bad, and the Ugly",
and one of my favorites:
"Duck, You Sucker" also known as "A Fistful of Dynamite".
See "Once Upon a Time in
America" you'll fall in love with the haunting images and Morricone's music.
Better than Scarface (with
Pacino). It's violent and brutal in some spots; it's not for children.
It's better
than the Godfather Part III.
One of the best gangster movies you'll ever see! Brad's movie rating:
****
Pluto Nash on the Moon: Starring Eddie Murphy. It had a good premise.
There's nothing wrong with nightclubs, casinos, and
gangsters on the moon in the future.
But there's something missing that stamps this movie as a "B" movie.
And when you find out who the
heavy is in the end, it's not interesting...it's boring. This movie
was such a flop, no one thought
about putting out a sequel. This would have worked better as a
TV movie on The Sci Fi Channel.
I have to blame the screenwriter and the director for this movie
being so mediocre. I like
Eddie Murphy a lot, but he really needs some hit movies.
Brad's movie rating: * 1/2
Badlands: I like the director: Terrence Malick. His movies are
fascinating, poetic, and powerful. He did "Days of Heaven"
starring Richard Gere. Recently, he did "The Thin Red
Line". "Badlands" has wonderful poetic images and music.
Martin Sheen and Sissy Spacek are excellent. There
was a lot of years between "Days of Heaven" (1978)
and "The Thin Red Line" made in the 1990's. What the
heck was Terrence Malick doing all those years?!
Why did he stop making movies??? Well, he resumed making
films, and boy is the film world better off!
Brad's movie rating: *** 1/2
It's a Wonderful Life: It's a classic! How can you not like Jimmy
Stewart in anything? Donna Reed is very attractive and perfectly cast.
This movie has the feel of a long Twilight
Zone episode. It's on television every Christmas. Please see this
movie if you haven't already; it'll
make you feel good. Brad's movie rating: ****
Harold and Maude: Fine black comedy about a rich young man that torments
his mother with fake suicides. Bud Cort and Ruth Gordon
are superb. Released in 1971. Director
Hal Ashby went on to direct other good movies before his premature death.
What is Bud Cort
doing these days? IF you want to find out what an
actor is doing, just go to the IMDB website.
Brad's movie rating: *** 1/2
Mission Impossible 2: High praise for the director, John Woo, and
for the entire cast. Strong villain. Tom Cruise's sidekicks are
for laughs and to make Cruise look good
as the leading man. After all, Cruise is the handsome leading man.
You can't have sidekicks that are
better looking than the leading man! The leading lady is attractive and
turns in
a good performance. Woo is a strong
action director. "Broken Arrow" was good (even though it has a
corny Hollywood ending - the good guy
gets the girl in the end). I think John Woo would be great to direct
a James Bond movie. But
will the allow an Asian to direct a James Bond movie? Brad's
movie rating: ***
Batman Beyond: The Return of the Joker: This animated adventure takes
place in the future. Batman / Bruce Wayne is in his 70's or 80's.
But he
employs a young high school student to be the new Batman. This new Batman can
can
fly and become invisible. This new Gotham City has flying cars and futuristic
technology.
This
is all based on the television series: Batman Beyond. This was a really good
series with good
animation
and solid stories. OK, so the Joker--who was supposed to be dead years ago--has
returned.
This
is a suspenseful engaging story and the folks at Warner Bros. gave us
a fine production.
I highly
recommend this DVD. If they wanted to bring Batman Beyond as live action
to the silver
screen,
that would be exciting to see. I think the fans of Batman would love Batman
Beyond.
Brad's
movie rating: *** 1/2
The Road to Tarabethia: A very good film with a sad ending. Reality intrudes into the fantasy world quite intentionally. The movie works!
Disturbia: Basically "Rear Window" for teenagers. It was OK, but I thought the villain could have been developed a little more. Brad's rating: ** 1/2
Grindhouse: In my opinion, not as good as some of Tarantino's other movies. I liked the Rodriguez segment better. Tarantino's segment was very talky. **
Fracture: Good crime story. The movie was paced
a little too slow. Anthony Hopkin's character, a mastermind,
should have figured out
the laws of double jeopardy AND possibly being videotaped
entering someone's apartment. Brad's rating:
* * *
The Condemned: A movie in the same vein as "The Running Man".
The hero of the movie, Steve Austin, tried to carry the movie as a
strong-silent
type...the powerful hero with very little to say...a man of action.
Another Arnold Swartzenegger or Sly Stallone he's NOT.
The movie tries to have a conscience and heart, but the leading man, Austin,
doesn't carry the movie in my opinion. Brad's rating: * *
Full Metal Jacket: A good Kubrick film. During the basic training
scenes the main Drill Sergeant has fangs of verbal violence that
is both horrifying and fascinating. The de-humanization
process (something Kubrick seems to be fascinated with in his
films) of the civilian turning into a Marine
is like a person turning into a werewolf. Some movie critics said that this
movie was the best war movie ever made. I
disagree. I love Kubrick as a film director, but I'll take "The Bridge On
the
River Kwai" and "Stalag 17" (note both
movies had actor William Holden) any day. Some believe that "Full Metal Jacket"
was two films. The first half was basic
training and the second half was combat in Vietnam. I draw your attention
to the
sniper toward the end of the movie (the one
that was "picking off" the Marines one at a time). Unless I missed something
(it's possible), I would have written the story
so that the Vietnamese prostitute they met earlier in the story would have
been the
sniper at the end (the one who rode in on a
motorbike) It would have made for a stronger script. In the film, I don't
think they
had any connection. Before I saw this movie,
I guessed correctly that the combat scenes would be similar to the combat scenes
in "Dr. Strangelove". In other words, Kubrick
focuses on combat among war-battered buildings and Oliver Stone in
his
movie,"Platoon", focuses on combat in the
jungle. I just had a sneaking suspicious that Kubrick would do that.
Full Metal Jacket refers to the casing surrounding
a bullet for the M-16 rifle. It symbolizes the "straight jacket" the military
has placed over the minds of new recruits
as they turn them into "angels of death praying for war" or fighting machines.
I was in the U.S. Army and we never had to
sleep with our rifles. The Marines are definitely hard core. I have no problem
with soldiers and Marines being combat ready;
I have a problem with U.S. military troops being USED as human cannonballs
and catapulted into UNJUSTIFIED wars for
the corporate greed of corrupt politicians. The war in Iraq was not necessary,
just like Vietnam. How many billions of
dollars can we keep pouring into these wars and ignore universal healthcare,
education
for our children, the war against crime here
in the USA, and other vital national issues? Greedy war profiteers and
their
political puppets want to place the entire
USA in a full-metal jacket. Brad's movie rating: ***
Transformers:
Formulaic done-to-death action movie.
Shy guy in school gets the attractive girl in the end and helps saves the
world
in the process. The only good thing about this movie were
the actors that played the parents--I really liked them. Their
role was primarily for comic relief. Hollywood!--enough of the
formula action movies, they are super-boring. The
film
"Pan's Labyrinth" is creative, well written and well
directed, but the latest Die Hard movie is tiresome by comparison.
Shrek 3: In my opinon was
more entertaining than "Transformers". Some may say
this Shrek movie is suffering from series fatigue, but
I love the Shrek movies and the actors that play the characters.
I'd rather see this movie than "Live Free or Die Hard" and
"Fantastic Four: Rise of the Silver Surfer".
Brad's movie rating: ***
Fantastic Four: Rise of the Silver Surfer: Laurence
Fishburne does the voice of the Silver Surfer, who is second cousin to the
"metal guy" in the second Terminator movie (just
kidding :) ). I don't
mind comic-book
characters who translate to the big silver screen, but the
actors have no chemistry. Using
the bald guy from "Shield" as the Thing?
Jessica Alba is very attractive, but does she flesh
out the character as well as she fills out her costume?
No. So here's what they need to do: